Decider article on "The Lost Girls". Sign In Don't have an account? Start a Wiki. Pratt herself was a good sport about it and in contributed a tongue-in cheek question, "would you parody someone now in order to make a social statement? In , MTV's episode guides called it "a "Savvy" - like teen magazine" as a cover. Or, to invert the observation to a form more suited for sound bites Since, though it is many other things as well, Lost Girls is indisputably high concept , for a work so self-professedly invested in hidden magical realms, Alan Moore and Melinda Gebbie's Lost Girls has a lot of cumshots.
Both of these statements, indeed, seem so obvious that one has to wonder if they're worth making here, especially when the popular press is, quite understandably, abuzz about Lost Girls and making virtually the same point. But if the observation that pornography about beloved heroines of children's literature is steeped in contradictions comes off as blatant, let us not forget that blatancy is at the heart of both genres anyway.
So perhaps some degree of obviousness is necessary if one is to be at all faithful in one's review.
Let's put all the obvious cards on the table, then — Lost Girls is very good, very hot, very weird, and, in today's political climate, going to be very controversial. Let us also put the elephant in the room, as it were, on the table.
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It seems almost, forgive my infelicity, perverse not to point out that Lost Girls is the decade-long project of a strange bearded man who came to sleep with and marry the artist , and who worships the ancient Roman snake god Glycon, who he admits was created as a fraud. What is perhaps most striking about Lost Girls , then, is that the reader thinks about almost none of this while reading it, if only because of how very obscene the book is.
Because this is, I think, what is so very easy to forget in talking about Lost Girls : the book is obscene.
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I do not merely mean shocking — though it certainly is that as well. It could be shocking by just suggesting that Alice, Dorothy, and Wendy might be having sex. It goes much further than that, such that if we must remark upon the contrast it offers between its literary origins and its goals and I cannot see how we could avoid doing so , we must not lose sight of some simple facts. This is a story where Dorothy is fucked up the ass while masturbating a horse, Captain Hook jacks off on Wendy while she's deflowering Peter Pan, and Alice is kept in an opium-induced haze while the Red Queen orders her to rape the servant girls into submission.
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The fair question, of course, is what it's all for — what the obscenity and snake gods and gossip add up to. Thankfully, Alan Moore has I hesitate to say suffers, since it seems he enjoys every minute of it a tendency towards the pathologically didactic.
And the tendency is very much on display here, most especially when Moore embarks on a lengthy section in which a character reads aloud from a pornographic book while repeatedly glossing the text with his observation that "It is quite monstrous Fiction and fact: Only madmen and magistrates cannot discriminate between them" Moore Lost Girls And, while Moore is not a magistrate, he does worship a fake Roman snake god — a theological decision that, to say the least, leaves open the possibility of madness. And so we, perhaps, ought not be surprised when Alice, in describing her erotic vision of herself in the mirror, mentions "legs twined into a warm cadeuceus" Moore Lost Girls After all, Moore has tilled this ground before, in the tenth issue of Promethea , when he devotes twenty-two straight pages of brilliantly pathological didacticism to a magical sex act "corresponding to the lunar sphere of dream, imagination, sexual fantasy In Promethea , sex is inexorably linked with a vision of the divine — one that is in turn linked with an external realm of dreams and possibilities, literalized in Promethea as the Immateria — the realm in which all human imagination resides.
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